The Dream of Perfect Nature
The Invocation of Perfect Nature in Picatrix is prefaced by an account of a dream, in which Hermes is visited by Perfect Nature which tells him how to uncover "the creation's secret, nature's secrets, and the wonders of things and their nature" (basically, everything the philosophers wanted to know.) How far back can we trace this vision?
First, let's list the components:
- the phrase "Perfect Nature"
- the search for the secret of creation
- a windy, dark basement which contains the secret; having to protect a light from the wind; digging in four corners; a statue/talisman
- a dream visit by a good-looking spirit that provides instructions for contacting the spirit itself
It is said that the entire episode can be found in Kitāb al-Isṭamāṭīs (which belongs to the wider group of Talismanic Pseudo-Aristotelian Hermetica), but there exists no transcription or translation of this manuscript. The closest I've been able to find is a quotation from The Secret of Creation (Sirr al-Khalīqa), which is based on the above-mentioned source.
The hero of this story is Apollonius of Tyana. He searches for the secret of creation - which is also the name of the book - by following instructions, first those written on a statue of Hermes Trismegistus, and later those given by his perfect nature in a dream. (Note how this sequence follows the process described in Corpus Hermeticum: first, read, then understand by receiving nous from the One.) Under in the underground passage, Apollonius finds a golden statue holding a book of the secret of creation, and an emerald tablet.
Wait, an emerald tablet? Yes, it is the emerald tablet. Unfortunately, I don't have a full translation of The Secret of Creation, so I can't confirm that it (or Kitāb al-Isṭamāṭīs) contains the text of the tablet. The next best thing available in English is another pseudo-Aristotelian treatise: The Secret of Secrets (Secretum Secretorum, Sirr al-Asrar.) Some versions of it contain the text now known as the emerald tablet and also, as it turns out, a version of the descent into the underground passage.
Here, the underground passage is located under a pyramid, and the person in search of knowledge is Alexander (the Great). Sleep also plays a role, but as an obstacle: workers fall asleep while digging, and must be protected by Aristotle's amulet. The passage contains a tomb of gold with a body of an ancient ruler bearing an emerald tablet on its chest. On the tablet there is an epitaph for the ruler which mentions that he had found out 'the secret of nature'. (The actual text known as "the emerald tablet" is separate from this account.)
I found one more second-hand, tantalising mention of Hermes' encounter with a spirit: Hermann of Carinthia in his De essentiis mentions a book by Hermes called The Golden Rod (Aurea Virga), in which "Hermes recites the very words addressed to him by his familiar spirit speaking to him". From the commentary by Charles Burnett we learn that Aurea Virga is referred to in other works, including Liber Hermetis Mercurii Triplicis de V principiis, and the Fihrist of Ibn al-Nadīm.
Hermann follows this mention with an account of how in De Secretis Nature (the same book as The Secret of Creation, Sirr al-Khalīqa) Apollonius "turned over an altar of the Sun (!) and was not able to take a light into the cave of Hermes which he found underneath until suddenly he was aware of (!) someone's presence. This man told him how to put together a lamp, and then immediately disappeared."
Hermann's summary of the story of the cave is different in some details from the translation of The Secret of Creation that I have available. Does this mean that there were multiple versions of the story, or that Hermann distorted it in re-telling? We do know there were differences between the Arabic and its Latin translation.
In any case, it seems like the encounter between Hermes and his familiar spirit may have been a separate text from Apollonius, his cave, and the dream of perfect nature. For all we know, the familiar spirit of Hermes may originally have been Poimandres.
Source texts
Picatrix: the Dream of Perfect Nature
As for Hermes, he mentioned in his book that when he decided to get to the secret of creation he found a very dark basement wherein he could not see anything, yet it had a strong wind going through it. It was so windy that he could not keep a light lit. That night he was visited in his dreams by a good-looking spirit, that spirit told him to take a light and put it in a glass lamp to protect it from the wind and that will light the way for you.
Then he told him to enter the basement and dig in the middle of it and take out a statue of a talisman that was made and buried there and he said if you take that statue out, the wind will stop in that basement and it will also light up the rest of the place. Then he told him to dig in the four corners of the place and he will find the creation's secret, nature's secrets, and the wonders of things and their nature.
The Secret of Creation and the Art of Nature (Sirr al-Khalīqa)
The descent and origin of the philosopher Balīnūs
Now I should like to acquaint you with my origin and my descent. I was a poor orphan, an inhabitant of Tyana. In my locality there was a statue of stone, standing on a wooden column. On the front of the statue was written: "I am Hermes, the threefold sage. I have erected this sign in public, yet in my wisdom I have veiled it, so that only a sage like me can reach it." Underneath it was written in the first language: "He who wishes to know the secret of creation and the production of nature should look under my feet." People did not consider what he might have meant by it. They always looked under his feet and saw nothing. Because of my youthful age I was of a weak nature. But when my nature grew stronger and I read what was written on the front of the statue, I noticed what had been in his mind. I dug under the column and came across an underground passage which was completely dark, since the light of the sun could not penetrate it, even when it rose directly above it. Winds blew in it incessantly. Since it was so dark down there, it was impossible for me to enter, for every light was extinguished because the winds were so many.
In the face of this I was perplexed and grew very depressed. While I reflected with an anxious heart how much trouble I had taken [in vain], my eyes closed. Now behold, an old man appeared to me, resembling me in form and figure, and said to me: "Rise, Balīnūs, and enter the underground passage here, so that you may attain knowledge of the secrets of creation and arrive at the production of nature." I replied: "I can see nothing in the dark here and every light is extinguished for me, since the winds are so many." However he said: "Balīnūs, set your light in a clear vessel to keep the wind away from it, and it will not be able to get at it, and you will thereby lighten the darkness here." Now I grew calm of mind; for I knew that I had attained my desire. I said: "Who are you, my God-sent benefactor?" He replied: "I am your perfect nature." Highly delighted, I awoke. I set my light in a clear vessel, as he had commanded me, and entered the subterranean passage. There I saw a man sitting on a golden throne and holding a tablet of green emerald in his hand. On the tablet the production of nature was written, and in front of him lay a book containing the secret of creation and knowledge of the causes of things. In all calm I took the tablet and the book and then left the subterranean passage. From the book I have learnt the secrets of creation and knowledge of the causes of things. From the tablet I have obtained the production of nature. Thus I have become very famous as a sage. I have made amulets and miracles. I have understood the mixtures and compositions of the natures as well as their contradiction and harmony.
Source: Classical Heritage in Islam by Franz Rosenthal, quoting from the Sirr al-Khalīqah, attributed to Balīnūs (Balīnās) (Apollonius of Tyana), according to the Istanbul MS Köprülü 872, 2b–3b, and J.Ruska, Tabula Smaragdina (Heidelberg, 1926), pp. 134 f., 138 f.
The Secret of Secrets (Secretum Secretorum, Sirr al-Asrar)
And thou hast seen, O Alexander, what happened to thee with regard to the Talisman which was bound for the protection of the buried treasure I told you of in the pyramid of Hayatil [Haital]. It has caused the people, whom thou hast ordered to dig it, to go to sleep, so that I made for thee a Talisman to counteract its action, and thou didst gain that treasure.
Some historians say that there was found in this treasure, on which there was a Talisman, a tomb made of gold, whose length was 10 yards, height 2 yards, and breadth (on the top) a span. Inside the tomb there was found a coffin in which there was a corpse perfectly preserved in body, hair, and eyes. On its head there was a crown weighing 10 ratls, made of a single piece of red ruby. And under the corpse there were spread large pearls of great value. On the chest of the corpse there was a tablet of emerald, 3 yards long and 1 yard wide. In it there was found the following inscription in Syriac letters:
"In the name of God the most compassionate, the most merciful. Everything that has a beginning has an end. I ruled over the four inhabited quarters of the globe for one thousand years. The total revenue of my empire in one day was equal to this tomb in weight and to its contents in value. And the Sun, Moon, and Wind used to obey me. I had found out the secret of nature, and had acquired the extreme knowledge of creation. And I ascended to the heavenly assembly with my pure spiritual essence according to the pleasure and acceptance of its maker, and I left this composite, earthly temple to corruption and annihilation. In order that one who comes after me should know that the real sovereign is one who never dies, and the true lord is He who is supreme in His power, may His name be blessed and glorified."
A section on philosopher's egg, the emerald tablet, and the properties of red and white stones follows.
Source: Robert Steele's edition of Bacon's secretum secretorum. The book says, further: The Eastern Arabic Form, Discourse X, ‘de scienciis incantamentorum’ (pp. 157-63), is a scientific theory of talismans, to which every Arabic MS. adds a different series of illustrations. It includes the oldest known text of the ‘Emerald Table’ of Hermes. It is replaced in the Western form by Gate XIII which treats of alchemy, talismans, and the properties of gems.
De essentiis, Hermann of Carinthia
It is read that very many people have had some kind of spirits known to them through some awareness, or so familiar that they remain with them and speak to them. These are described by Hermes in the Golden Rod, Apollonius in the Secrets of Nature, and Aristotle in Data Neiringet. Hermes recites the very words addressed to him by his familiar spirit speaking to him. Apollonius, when, as he himself writes, alone in the desert he turned over an altar of the Sun - as an inscription persuaded him to do -, and was not able to take a light into the cave of Hermes which he found underneath because of the blasts of air coming from the cave, suddenly (he says) was aware of someone's presence. This man told him how to put together a lamp, and then immediately disappeared.
Sources
- English translation from Arabic Ghāyat al-Ḥakīm: Atallah & Holmquest
- Classical Heritage in Islam by Franz Rosenthal
- Secretum secretorum cum glossis et notulis, translation by Roger Bacon, ed. Robert Steele
- De Essentiis, Hermann of Carinthia; A Critical Edition with Translation and Commentary by Charles Burnett